Lately I been watching some really good films based on classic American novels. I know that calling a film or book a classic is the proverbial “kiss of death”, and will often dissuade people from watching or reading. For many, “classic” means old, old fashioned, out of date, and irrelevant.
Nevertheless,
a good film adaptation can make a great book spring to life on the screen, and
become a classic in itself. For example, a good actor or actress needs only a
facial expression or a glance to convey what it takes a novelist pages to
describe. A good film director can convey in one scene what the novelist took a
whole chapter to describe.
Moreover,
in viewing the films below it becomes apparent how important the casting
director is in putting a film together. Everyone knows the story of how
Humphrey Bogart was not the first choice for the lead in Casablanca, and that
even Ronald Reagan was considered for the part. Is it possible to imagine
anyone else in the role today?
Here
are four films recommended for Summer Film viewing.
Moby Dick.
Herman Melville’s masterpiece of Captain Ahab’s doomed pursuit of the great
white whale was brought to the screen in a 1956 color production by director
John Huston. The film stars Gregory Peck as Ahab, Richard Basehart as Ishmael, Orson
Welles in a cameo as a fiery preacher, and a great supporting cast. I saw this
film when it first came out and can still vividly remember characters like Starbuck
from whom the coffee chain derived its name, and the magnificent cannibal chief
and harpooner Queequeg. In addition to the incredible finale, who could ever
forget Ahab’s nailing of the gold piece to the mast?
The Red Badge
of Courage. Stephen Crane’s realistic
portrayal of ordinary soldiers before and during a single battle was originally
published in 1895. It has become the model for all subsequent novels about
warfare. It was brought to the screen in 1951 by director John Huston, who had
a great interest in American history. True to the novel, the film sees the
Civil War through the minds and eyes of the ordinary men who fought. Audie
Murphy, the most decorated hero of WW II, stars along with a fine supporting
cast. The final charge, capped as it is by conversation between victorious
soldiers and their defeated captives, is extremely moving.
The
Magnificent Ambersons. Booth Tarkington’s Pulitzer
Prize novel of a prominent Midwestern family at the dawn of the twentieth
century was brought to the screen by Orson Welles in 1942. Completed a year
after his groundbreaking film, Citizen Kane, this film shows Welles at peak
directorial form with dazzling cinematography and splendid performances by a
great cast that includes Joseph Cotton, Anne Baxter, and Tim Holt.
Dodsworth.
Sinclair Lewis’ best-selling 1929 novel was brought to the screen by director
William Wyler in 1936. Walter Huston, in what some consider to be his finest
performance, plays a wealthy industrialist who sells his business and sets off
with his wife of 20 years to discover Europe, and re-discover themselves. Ruth Chatterton
and Mary Astor co-star. “Selected as one of the most important films of all
time by the Library of Congress.”
Some
people look down their noses at film adaptations but watching these films has
led me to re-read these novels that I had read long ago in my high school and
college years. I have found that these authors were great story tellers and
that their writing is still alive despite the passage of years. In the four
films mentioned above the filmmakers were remarkably faithful to the novels. In
the case of Dodsworth the fine acting and directing actually improved on the
novel by eliminating a great deal of tedious descriptive detail.
PS. In movie theaters this summer you will find the usual collection of movies directed toward a very young audience. However, one of this year's films that would seem to be for small children is actually for adults, especially the older ones. Won't You Be My Neighbor is a documentary about Fred Rogers, the legendary creator and star of the longtime children's show, Mr. Rogers' Neighborhood. This fine film dispels the myths about Fred Rogers and reveals the true humanity of this man whose long-running show has become a "classic" in its own right.
PS. In movie theaters this summer you will find the usual collection of movies directed toward a very young audience. However, one of this year's films that would seem to be for small children is actually for adults, especially the older ones. Won't You Be My Neighbor is a documentary about Fred Rogers, the legendary creator and star of the longtime children's show, Mr. Rogers' Neighborhood. This fine film dispels the myths about Fred Rogers and reveals the true humanity of this man whose long-running show has become a "classic" in its own right.
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