Harold Russell (Homer), Dana Andrews (Fred), Frederic March (Al) |
It contains a great cast that includes stars like Frederic March, Dana Andrews, Myrna Loy, Teresa Wright, and Virginia Mayo backed up by a superb supporting cast who steal some of the best scenes. The film also featured Harold Russell, a real sailor whose two hands had actually been amputated during the war. It is at once heartbreaking and inspirational to see him manipulate the hooks that serve as replacements.
Frederic March won the Best Actor award that year playing Al Stevenson, an army sergeant, returning to his respectable family and banking career. Actually, that year the Academy Award should have gone to Jimmy Stewart for his performance as a banker in Frank Capra's "It's a Wonderful Life." It was a real sign of the times that both films featured bankers as heroes. In my opinion Dana Andrews also outdid March with his portrayal of Fred Derry, troubled Air Force bombadier. Naturally, Harold Russell won Best Supporting Actor as well an an unprecedented special award for his performance as the wounded sailor, Homer.
However, it is the women in the film that steal the show. Feminist historians would do well to note the powerful women portrayed in this film. Myrna Loy, Teresa Wright, and even Kathy O'Donnell are all towers of strength . Beautiful Virginia Mayo played a floozy but gave the best performance of her career. Ironically, she gets to utter the most famous line in the film when she complains to husband, Fred Derry, that she gave him the best years of her life.
The supporting cast is equally fine, and again it's the women who shine. One of the most emotional scenes in the film occurs at the beginning. I will never forget the
look on the face of Homer's mother (played by Mina Gombell) when she first sees his hooks. Toward the end of the
film after a dejected and out of work Fred Derry bitterly discards his wartime citations,
his father then reads them to his step-mother, played by Gladys George, in a deeply moving scene.
The film is augmented by brilliant photography, and a wonderful musical score. Both come together in the pivotal scene where Fred finally has an epiphany in the nose of a bomber about to be demolished for parts. In this scene the camera almost becomes an actor.
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The film is augmented by brilliant photography, and a wonderful musical score. Both come together in the pivotal scene where Fred finally has an epiphany in the nose of a bomber about to be demolished for parts. In this scene the camera almost becomes an actor.
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