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Today, I doubt if any of my college educated grandchildren have ever read or will read any of these great authors. I doubt that they have even heard their names. I suppose that their knowledge of Russia, like that of our own politicians, is likely superficial and unhistorical. Since books are too time consuming, and seemingly irrelevant in our age, film may be the only way to provide insights into a country like Russia, especially after the revolutionary events that followed upon the collapse of the Soviet empire. Here is a brief review of a film that sheds much light on this extremely diverse country that extends over nine time zones.
The film also opens a window, actually twelve windows, into post-Soviet Russia. "12" refers to the twelve jurors who are hearing a case involving a young man accused of murdering his stepfather. Complicating matters is the fact that the young man is a Chechen, a member of that ethnic group that has never been fully assimilated into Russian society. Chechens are, at the same time, hated and feared by most Russians. Alexander Solzhenitsyn claimed that even Gulag prison guards feared the Chechen prisoners who often terrorized the other prisoners.
The film, however, is not about the prisoner but about the jurors. These twelve men, each represents an aspect of Russian life after the fall of Communism. They are a diverse group that includes, among others, a successful post-communist businessman, a doctor educated in Moscow but originally from the provinces, a Russian TV executive with a degree from Harvard, a former Soviet bureaucrat who fondly remembers the good old days of Communism, and even a bigoted cab driver.
The case against the young man seems open and shut but doubts arise. Inevitably, each juror reveals himself in dealing with what turns out to be a very complicated case. In revealing their own stories, they tell us more about modern Russia than we will ever find in our own media.
As mentioned above the film is powerful and intense, and filled with often mysterious flashbacks that eventually come together like pieces in a puzzle. But most of the power and intensity takes place in the makeshift jury room where twelve fine actors strut their stuff.
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I have put up a number of posts on Ukraine in the past and readers who think I am too old or ill-informed, might be surprised to find that I anticipated the Trump administration position ten years ago. See the following post that originally appeared on February 13, 2015, seven years before the war began.
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In an interview in last Saturday's Wall Street Journal, General Frederick B. Hodges, commander of U.S. Army forces in Europe, made the case for military aid to the Ukraine and for an increased NATO involvement. Nevertheless, the General made some admissions that make one wonder if there might be another alternative.
Perhaps his greatest role came in 1943 when he starred in a film adaptation of William Saroyan’s The Human Comedy, a wartime drama that depicted life on the home front in a small California town. Saroyan had originally written a screenplay for a film that he planned to direct himself, but when the studio complained that the film would be way too long, Saroyan walked out and published his work as a novel which became hugely successful right before the studio completed its version. It is a great and moving read.
The film version based on Saroyan’s script and directed by veteran director Clarence Brown was also a huge hit in wartime USA. The story revolves around a family headed by a recently widowed mother played by Fay Bainter, one of Hollywood’s standard mothers, who has four children. The eldest son, played by Van Johnson, has been drafted into the army and awaits assignment overseas. Donna Reed, a budding young star, plays the daughter on the verge of womanhood. There is even a four-year-old son, what used to be known as a caboose baby, who gets some good scenes. Although Mickey Rooney was 22 years old at the time, his looks and small stature allowed him to play the fourteen-year-old son.
Although everyone in the fine cast is featured in various vignettes, Rooney is the star, and he gives a magnificent performance. He plays Homer Macaulay, a teenager whose father has recently died, and whose elder brother is in the army. At 14 he must somehow become the man in the family. He takes a part-time job as a messenger for a local telegraph company to help his mother with the bills. It turns out to be a life changing experience. The office manager, played by James Craig, becomes a mentor, as does the elderly, alcoholic telegraph operator played by Frank Morgan, a veteran character actor who had played the Wizard in the Wizard of Oz.
Telegrams are largely a thing of the past but delivering them during the war could be difficult. Apparently, the War Department used telegrams to notify families of the death of their sons. In one memorable scene, Homer has to deliver such a message to an illiterate Mexican mother who asks him to read the dreaded message. It is an extremely moving scene, and Rooney does a great job. It’s no wonder that he received a nomination for Best Actor.
Although largely forgotten today, The Human Comedy is one of the great films of Hollywood’s Golden Age. Like the book, it is a beautiful and moving story with a memorable if idealized depiction of small-town life during the war years.
By the end of the war, Rooney was too old to play teenagers and had to make the transition to grown up roles. His looks and stature made it impossible to play traditional leading men, but he still possessed great dramatic ability. Two of my favorites from the post-war era are the 1949 Quicksand, and the 1953 Drive a Crooked Road.
In Quicksand Rooney plays an automobile mechanic working in a large garage who falls for a sexy cashier in a nearby diner. He asks her for a date and when she accepts, he has to come up with some dough since he is broke until payday. He decides to borrow some from the garage cash register and replace it on payday. Unfortunately, he is found out and must struggle to replace the money. His attempts only get him deeper and deeper into trouble. The film’s title is appropriate. The film also features Jeanne Cagney, James Cagney’s sister, and Peter Lorre.
Drive a Crooked Road, follows a similar pattern. Once again Rooney is a garage mechanic but, in this film, he also drives race cars in local races. He plays a lonely young man who can only dream of driving at Indianapolis or Le Mans. One day a beautiful young woman walks into the garage and singles out the unlikely Rooney to work on her car. It turns out that she is part of a gang of bank robbers who need a skilled driver to drive the getaway car for their next job. Sure enough, he falls for her and the dream of big money with tragic results.
Quicksand and Drive a Crooked Road are low budget “B” movies, but Rooney gave “A” performances in both. Although he would never again reach the fame and fortune of his Hollywood heyday, he continued to work in movies, TV, Broadway, and touring companies almost until his death in 2014 at the age of 94.
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A recent headline in my local newspaper exclaimed in large bold letters, ‘A terrible mistake’. The quote was from Connecticut Senator Richard Blumenthal concerning the pardon granted by former President Biden to a Connecticut man convicted of conspiracy to commit the murders of a woman and her young son who were scheduled to appear as witnesses in a murder trial back in 1999.
Blumenthal attributed Biden’s mistake to an “oversight” but did not explain how such an oversight could have occurred? How could the name of this convicted criminal, as well as the names of a dozen other convicted Connecticut drug dealers mentioned in a related article, have come to Biden’s attention in the first place? Who pleaded their cause? Who wanted them pardoned? Most of them had long criminal histories that included illegal firearm possession.
What reason could President Biden have had for pardoning these criminals? Perhaps he did not even know who he was pardoning and just signed the document placed before him. But in that case, who was responsible for the terrible mistake? I suppose we will never know.
It is different in the case of the pardons meted out to Biden’s own family in the last minutes of his Presidency. Actually, these family members have so far never been accused or convicted of anything. The President took the unprecedented step of pardoning them for anything they may have done wrong since 2014.
The start date of this immunity, 2014, is very important. It was in that year that then Vice-President Joe Biden, and his son, Hunter, became involved in the affairs of Ukraine. At that time Biden openly bragged that he had forced the government of Ukraine to fire a prosecutor investigating corruption. At the same time, Biden’s son Hunter enjoyed a lucrative position of the board of a Ukrainian energy company that was the focus of the corruption investigation. In pardoning his family and his son, Biden effectively pardoned himself for any wrongdoing over the past ten years.
The pardon given to Hunter Biden late last year is somewhat different. Hunter had actually been convicted of tax evasion and a violation of Federal gun control laws. While he was still running for re-election, Joe Biden said that he would not pardon his son, but when a plea deal fell through, he had no choice. At the time progressive commentators gushed that even though the President lied, he was motivated by love of his son. Who can blame such a loving father? Who would not do the same?
Nevertheless, it appears to me that the pardon had more to do with fear than with love. I suspect that ever since their meddling in the Ukraine back in 2014, the son had something potentially damaging on his father. Hunter’s pardon was not just for his recent convictions but went all the way back to 2014.
I have been poring through Miranda Devine’s recent book, “The Big Guy,” about Joe Biden and his son Hunter. On many occasions Hunter claimed that over the past ten years he had worked very hard for his family. He was not going to take the fall.
Reading Miranda Devine’s book, it is not hard to imagine that the relationships in the Biden family were not always loving especially when Hunter was addicted to crack, sex, and porn. Devine writes that at the time Hunter dropped the now famous lap-top off at the repair shop, his “life was at rock bottom. His crack addiction was out of control, and he had been bouncing between cheap motels filming himself having threesomes with hookers.”
“He was in a rage with his family. His relationship with his widowed sister-in-law Hallie had grown toxic. He accused her of cheating, and she had banned him from seeing her children until he sought rehab. He accused his father of siding with her and was on the outs even with Uncle Jim. [98]…”
He seemed to have little regard for his father and stepmom Jill. Perhaps it was the crack addiction, but Miranda Devine quotes the following words from Hunter about Jill and Joe.
“And you do know the drunkest I’ve ever been is still smarter than you could ever even comprehend and you’re a shit grammar teacher that wouldn’t survive one class in a ivy graduate program.
“So go fuck yourself Jill let’s all agree I don’t like you anymore than you like me.”
He also complained to his uncle that he had been to drug rehab seven times, but his father “literally has never come to one never actually called me while in rehab.” [109].
In his famous little political treatise, The Prince, Niccolo Machiavelli, an Italian Renaissance diplomat and political observer, devoted a whole section to whether it is better to be loved or feared. For a number of reasons he concluded that for anyone in power it was better to be feared than to be loved. Hunter was a loose cannon to be feared and had to be pardoned.
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Hoax #1. Eight years ago when Donald Trump first ran for President, Democrats claimed, and some still claim, that the Trump campaign colluded with Russia to steal the election. Their complaints led to the famous Mueller investigation which found no evidence of collusion. So not only was the Democrat charge unfounded, but we also now know that the so-called Steele dossier was a hoax that originated at the highest levels of the Hillary Clinton campaign. That’s right, the same person who recently received the Presidential Medal of Freedom from President Joe Biden was behind the 2016 hoax.
Hoax #2. Four years ago in the midst of the 2020 Presidential campaign, the New York Post ran the story of the laptop abandoned at a computer repair shop by Hunter Biden, the son of Democrat contender Joe Biden. Apparently, the laptop not only contained salacious images of Hunter’s drug and porn addicted life, but also evidence of criminal business activities that could even implicate his father.
Immediately, Democrat operatives sprang into action and drafted a letter claiming the story was a product of Russian disinformation. 51 former US intelligence officials signed the letter and effectively quashed the story. We now know they all lied and that the hoax was initiated by Anthony Blinkin, who has been Secretary of State since Biden’s election. If Blinkin and the intelligence officials could lie to us to achieve their political goals, why should anyone trust them when it comes to Afghanistan, Ukraine, Russia, Israel or Iran?
Miranda Devine, who wrote the original Post story, gives a very full account of this hoax in her recent book, “The Big Guy.” Now, four years later, we know that there really was a laptop abandoned by Joe Biden’s drug and porn addicted son. The laptop contained evidence of criminal activity that eventually led to Hunter’s recent conviction on tax evasion and fireman violations.
No wonder that President Biden was forced to pardon his son despite his repeated avowals that he would not do so. Once a judge threw out a plea bargain, it became obvious that Hunter was not going to take the fall for anything. What else could explain the extent of the pardon that excused Hunter not only for the recent convictions, but also for anything Hunter might have done as far back as 2014 when both he and his father were heavily involved in Ukrainian affairs. Hunter’s pardon eliminates any further investigations of any kind.
Hoax #3. Recently, the Wall Street Journal published an article detailing President Biden’s mental decline over the past four years, and the elaborate cover up of his incapacity by his family and close aides. The cover up included repeated lies by Democrat politicians like Vice-President Harris, and Biden aides that the President was “sharp as a tack.” Even after Biden’s disastrous debate performance last June, Democrats refused to accept the obvious until polls led them to insist the President withdraw from the Presidential race.
To this day the aged President insists that if he had stayed in the race, he would have won. Four years ago The Weekly Bystander observed that Biden was obviously suffering from the effects of old age. Nevertheless, Democrats managed to put him in the White House by the barest of margins. The idea of a puppet President whose strings were being pulled by others would be laughable if it hadn't had such serious consequences both at home and abroad.
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