Gene Tierney was one of the most beautiful, if not the most beautiful, actresses of Hollywood’s Golden Age. In the 1940s her great beauty launched her into stardom but she managed to become a fine actress as well. Unfortunately, behind the glamour was a bad marriage, a daughter born severely retarded due to exposure to German measles, and mental illness that ultimately brought an end to her career and almost to her life.
Here are the opening lines of her autobiography, appropriately titled, Self Portrait.
“It is a terrible thing to feel no fear, no alarm, when you are standing on a window ledge fourteen stories above the street. I felt tired, lost, and numb—but unafraid.
I wasn’t at all certain I wanted to take my own life, I cat-walked a few steps away from the open window and steadied myself, to think about it. The fact that I could no longer make decisions was why I had gone to the ledge in the first place. What to wear, when to get out of bed, which can of soup to buy, how to go on living, the most automatic task confused and depressed me.
I felt everything but fear. The fear comes to me now, twenty years later, knowing that at any moment I might have lost my balance. Then the decision would not have been mine. On that day, if I jumped or fell, either way would have been all right. There is a point where the brain is so deadened, the spirit so weary, you don’t want any more of what life is dishing out. I thought I was there.”
Tierney had been born in Brooklyn in 1920 but was largely raised in suburban Fairfield, Connecticut. Her parents were well off and even sent her to an exclusive finishing school in Switzerland during her high school years. At eighteen her family made a trip to Hollywood, where on a studio tour an executive, struck by her incredible beauty, asked her to take a screen test. A year later, after acting lessons back home and a small part in a Broadway play, she was back in Hollywood under contract to a major studio.
At first the studio did not know what to do with her. There was something exotic about her good looks and she was cast in a number of roles that had little to do with the person she was.
In 1942, for example, she was cast as a charming South Sea island girl in Son of Fury, an action adventure starring matinee idol Tyrone Power. In this film she hardly speaks of word of English, but her breathtaking beauty and innocence makes an indelible impression.
Here is a list of what I consider to be her best films.
Laura: In 1944 Tierney became a full-fledged star playing the title role in this murder mystery that is now generally regarded as one of the greatest films of Hollywood’s Golden Age.
Otto Preminger’s direction of Laura received an Academy award nomination, and cameraman Joseph LaShelle won the Academy Award for best black and white cinematography.
The cast was superb. Dana Andrews, playing a police detective, turned in his usual solid performance. In his screen debut Clifton Webb played a sophisticated, acerbic, and influential newspaper columnist, and received an Academy Award nomination for best supporting actor.
Nevertheless, Gene Tierney stands out in Laura. From the opening credits even her portrait on the wall of her beautifully designed apartment dominates the film. But it is not just her looks. She plays a sophisticated urbanite whose deportment and manner make everyone in the film, even her maid, fall in love with her. Her costumes, designed by famed Bonnie Cashin, are a lesson in how clothes define and make the man, or woman in this case.
It is hard to imagine that a whole generation has not seen this film. But the directing, the photography, the sets, the writing, the great cast, and the haunting song and score that permeates the film make it a true classic. It can be watched over and over again like any great work of art.
Leave Her to Heaven: Tierney’s performance in Laura led to a starring role in Leave Her to Heaven, a 1945 Technicolor drama that almost exulted in her good looks as well as the looks of co-stars Cornell Wilde and Jeanne Crain.
Nevertheless, it is a dark film. Once again, Tierney gets to play a beautiful, accomplished young woman but this time jealousy and suspicion, that today we would call mental illness, lead to the break-up of her marriage and terrible tragedy.
In one unforgettable and terrible scene, her beauty only accentuates the horror of what is going on while she sits placidly in a rowboat while a young boy drowns nearby. Her performance in Leave Her to Heaven, gained an Academy Award nomination for Best Actress.
The Ghost and Mrs. Muir: In 1947 she starred along with Rex Harrison in The Ghost and Mrs. Muir. Tierney played an independent young widow with a young daughter who moves into a seaside cottage reputed to be haunted by the ghost of a deceased English sea captain. It is a charming story beautifully told and acted by the principals with a wonderful musical score by Bernard Herrmann.
Whirlpool : In this 1950 suspense drama, Tierney played a sophisticated suburban housewife who turns to a devious hypnotist for help in dealing with a secret mental illness. Her husband, played by Richard Conte, is a psychiatrist who is totally unaware of his wife’s sickness. Perhaps in this film she came closest to portraying her real self and her impending mental illness.
Where the Sidewalk Ends: This little-known film is now recognized as a quintessential film noir classic. It is like a Laura reunion. Tierney is reunited with Laura co-star Dana Andrews, director Otto Preminger, and cinematographer Joseph LaShelle.The film is another psychological crime drama but centers around Dana Andrews who plays a rogue cop. Tierney, still beautiful, played what amounts to a supporting role.
Her career would continue through the next decade but mental illness although it could not mar her beauty, limited her ability to work and she never regained her previous success or stature.
In her autobiography, she tells the whole story not only of her screen career but also of her battle with the illness that brought her to the edge of death on that fourteenth story window ledge. Fortunately, her story had a happy ending.
###
Gerry was in love with her.
ReplyDelete